I. Fundamentals : 1. Element Of Pitch : The Keyboard And Octave Registers ; Notation On The Staff ; The Major Scale ; The Major Key Signatures ; Minor Scales ; Minor Key Signatures ; Scale Degree Names ; Intervals ; Perfect, Major, And Minor Intervals ; Augmented And Diminished Intervals ; Inversion Of Intervals -- 2. Elements Of Rhythm : Rhythm ; Durational Symbols ; Beat And Tempo ; Meter ; Division Of The Beat ; Simple Time Signatures ; Compound Time Signatures ; Time Signatures Summarized ; More On Durational Symbols 3. Introduction To Triads And Seventh Chords : Introduction ; Triads ; Seventh Chords ; Inversion Of Chords ; Inversion Symbols And Figured Bass ; Recognizing Chords In Various Textures -- 4. Diatonic Chords In Major And Minor Keys : Introduction ; The Minor Scale ; Diatonic Triads In Major ; Diatonic Triads In Minor ; Diatonic Seventh Chords In Major ; Diatonic Seventh Chords In Minor Ii. Diatonic Triads : 5. Principles Of Voice Leading : Introduction ; The Melodic Line ; Notating Chords ; Voicing A Single Triad ; Parallels ; Root Position Part Writing With Repeated Roots ; Root Position Part Writing With Roots A 5th (4th) Apart ; Root Position Part Writing With Roots A 3rd (6th) Apart ; Root Position Part Writing With Roots A 2nd (7th) Apart ; Instrumental Ranges And Transpositions -- 6. Harmonic Progression : Introduction ; Sequences And The Circle Of Fifths ; The I And V Chords ; The Ii Chord ; The Vi Chord ; The Iii Chord ; The Vii Chord ; The Iv Chord ; Common Exceptions ; Differences In The Minor Mode ; Conclusion -- 7. Triads In First Inversion : Introduction ; Bass Arpeggiation ; Substituted First Inversion Triads ; Parallel Sixth Chords ; Part Writing First Inversion Triads -- 8. Cadences, Phrases, And Periods : Musical Form ; Cadences ; Motives And Phrases ; Mozart: An Die Freude ; Period Forms -- 9. Triads In Second Inversion : Introduction ; Bass Arpeggiation And The Melodic Bass ; The Cadential Six-four ; The Passing Six-four ; The Pedal Six-four ; Part Writing For Second Inversion Triads -- 10. Non-chord Tones 1 : Introduction ; Classification Of Non-chord Tones ; Passing Tones ; Neighboring Tones ; Suspensions And Retardations ; Figured Bass Symbols ; Embellishing A Simple Texture -- 11. Non-chord Tones 2 : Appoggiaturas ; Escape Tones ; The Neighbor Group ; Anticipations ; The Pedal Point ; Special Problems In The Analysis Of Non-chord Tones ; Summary Od Non-chord Tones Iii. Diatonic Seventh Chords : 12. The V7 Chord : Introduction ; General Voice-leading Concerns ; The V7 Root Position ; The V7 In Three Parts ; Other Resolutions Of The V7 ; The Inverted V7 Chord ; The V6/5 Chord ; The V4/3 Chord ; The V 4/2 Chord ; The Approach To The 7th -- 13. The Ii7 And Vii7 Chords : Introduction ; The Ii7 Chord ; The Vii7 Chord In Major ; The Vii7 Chord In Minor -- 14. Other Diatonic Seventh Chords : The Iv7 Chord ; The Vi7 Chord ; The I7 Chord ; The Iii7 Chord ; Seventh Chords And The Circle-of-fifths Sequence -- 15. Levels Of Harmony : English Grammar And Tonal Harmony ; Levels Of Harmony ; Examples From A Chorale ; Conclusion Iv. Chromaticism 1 : 16. Secondary Functions 1 : Chromaticism And Altered Chords ; Secondary Functions ; Secondary Dominant Chords ; Spelling Secondary Dominants ; Recognizing Secondary Dominants ; Secondary Dominants In Context -- 17. Secondary Functions 2 : Secondary Leading-tone Chords ; Spelling Secondary Leading-tone Chords ; Recognizing Secondary Leading-tone Chords ; Secondary Leading-tone Chords In Context ; Sequences Involving Secondary Functions ; Deceptive Resolutions Of Secondary Functions ; Other Secondary Functions -- 18. Modulations Using Diatonic Common Chords : Modulation And Change Of Key ; Modulation And Tonicization ; Key Relationships ; Common-chord Modulation ; Analyzing Common-chord Modulation -- 19. Some Other Modulatory Techniques : Altered Chords As Common Chords ; Sequential Modulation ; Modulation By Common Tone ; Monophonic Modulation ; Direct Modulation -- 20. Binary And Ternary Forms : Formal Terminology ; Binary Forms ; Ternary Forms ; Rounded Binary Forms ; Other Formal Designs V. Chromaticism 2 : 21. Mode Mixture : Introduction ; Borrowed Chords In Minor ; The Use Of ♭6 In Major ; Other Borrowed Chords In Major ; Modulations Involving Mode Mixture -- 22. The Neapolitan Chord : Introduction ; Conventional Use Of The Neapolitan ; Other Uses Of The Neapolitan -- 23. Augmented Sixth Chords 1 : The Interval Of The Augmented Sixth ; The Italian Augmented Sixth ; The French Augmented Sixth ; The German Augmented Sixth -- 24. Augmented Six Chords 2 : Introduction ; Other Bass Positions ; Resolutions To Other Scale Degrees ; Resolutions To Other Chord Members ; Other Types Of Augmented Sixth Chords -- 25. Enharmonic Spellings And Enharmonic Modulations : Enharmonic Spellings ; Enharmonic Reinterpretation ; Enharmonic Modulations Using The Major-minor Seventh Sonority ; Enharmonic Modulations Using The Diminished Seventh Chord -- 26. Further Elements Of The Harmonic Vocabulary : Introduction ; The Dominant With A Substituted 6th ; The Dominant With Raised 5th ; Ninth, Eleventh, And Thirteenth Chords ; The Common-tone Diminished Seventh Chord ; Simultaneities ; Coloristic Chord Successions Vi. Late Romanticism And The Twentieth Century : 27. Tonal Harmony In The Late Nineteenth Century : Introduction ; Counterpoint ; Sequence ; Shifting Keys ; Treatment Of Dominant Harmony ; Expanded Tonality -- 28. An Introduction To Twentieth-century Practices : Introduction ; Impressionism ; Scales ; Chord Structure ; Parallelism ; Pandiatonicism ; Set Theory ; The Twelve-tone Technique ; Total Serialization ; Rhythm And Meter ; Aleatory Or Chance Music ; Texture And Expanded Instrumental Resources ; Electronic Music. Stefan Kostka, Dorothy Payne ; Consulting Editor In Music, Allan W. Schindler. Includes Indexes.

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